

Would you want to see Picasso reduced to producing stamps? Gaudi to designing a beach hut? Whoever it was who did the maze in Hampton Court to pottering about in the garden? That was my first impression when I heard that the new Autechre album Quaristice had twenty tracks, at an average of just over three minutes each, as opposed to the likes of Draft 7.30 and Untilted (which number among my favourites) with eight or nine at an average of eight plus. What a waste, I thought. But then again…say you really really wanted a stamp? Or a wooden shack on Whitstable Bay, or a well-trimmed hedge? Maybe you would want Pablo, or Antoni, or, um, the fella with the big shears. You’ll be left with something pretty special, that is for sure.
This new approach gives Autechre the space to take a simple idea, rethink and recreate it in their own inimitable way. And this being Autechre, the more you examine what they have created, the more you find. Like a Mandelbrot. Or like that bit at the end of Hawking’s A Brief History Of Time, when he gets a bit vague and says, oh yeah, there are loads of theories that explain all of this crazy stuff, but they require you to accept that there are, like, looooads of dimensions and that the reasons we only perceive five is that the others are really tiny and all wrapped up in a leeeetle leeeetle ball, tiny little spirals of unfathomable fuck-knows-what. I paraphrase, slightly.
So here we have the subdued classicism of “Altibzz”. The Germanic techno of “The Plc”. The crisp minimalism of “Tankakern”. The hip-hop of “Rale”. The windy atmospheres of “Palalel Suns”. The squelchy acid of “90101-51-1”. Pristine, perfect things all. And the more I listen to all of this, the more I find, and not just in a musical sense. For the first time since around Amber, I’m detecting flashes of emotion glancing off the metallic walls, a strange, reflective sadness. Are Autechre seeing their lives flash before them, this diaspora of musical memories rushing by? It seems there is still a trace of humanity in these awesome musical machines, and it has taken the creation of a suite of miniature masterpieces to unlock it.
Quaristice is available digitally RIGHT NOW from Warp. Physical release due early March.


13 comments
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February 13, 2008 at 5:18 pm
Michael
I haven’t really enjoyed much of Autechre’s work recently save for the ood stunning track (”Surripere”), so I am hoping this one redresses the balance. I still can’t see them ever beating ‘Amber’ or ‘Incunabula’ though
February 13, 2008 at 10:59 pm
Colin
I love Autechre (particularly their latterday fare), but flatly refuse to read your thoughts ’til I’ve heard the new one myself. Once I have, I’ll return to this here page though, having ordered the limited edition physical CD (I’m so fairly old school), that won’t be until early March I guess.
February 14, 2008 at 5:44 am
Peter
@Colin - you can get theFLAC (loseless)digital version which you can burn to CD without loss of quality. I’m downloading it now, hope to have time to listen to it soon. I love Autechre, preferably older things, but I’m really interested in this new one. will be back with my opinion then
p.
February 15, 2008 at 2:46 am
Peter
well, after listening to this piece and must agree that it has feeling inside. what I didn’t like on recent releases was their “machine-like-coldness”. this one is different. of course not everything from 20 pieces are perfect, butin general I’m gonna like this album
February 15, 2008 at 3:48 pm
mapsadaisical
Thanks all. Really interesting interview with Autechre in the Wire, didn’t you think? Perhaps that human element I’m hearing is as a result of the tracks being developed under the influence of interaction with a live crowd. Or maybe it is a load of old cobblers, and me and Peter have tatties for ears…
February 16, 2008 at 11:39 am
Michael
I ‘ve just started writing for Reverb mag, which you can pick up in Sound Control and HMV for free. There should be a good interview in the next issue which is out in March. I’m conisdering going to see Autechre live at Glasgow’s Art School. The last gigs I attended like these were pretty disappointing. Squarepusher was boring, Bogdan Raczynski static and rapidfire beats that nearly caved in my skull and Aphex Twin, who spent most of the gig fooling about with a laptop
February 18, 2008 at 5:58 pm
Colin
Peter, I could download the FLACs, but then I’d be paying twice over. Patience comes to those who wait - or something like that :-)
Michael - go see ‘em - when I caught them on their last tour in ‘05 I was blown away - my review (and pics) here: http://www.eleventhvolume.com/reviews/concerts/files/autechre.html
February 18, 2008 at 10:35 pm
themilkman
Colin, you lucky devil! I unfortunately missed out on the limited edition of Quaristice, which apparently sold out almost immediately. No need to say how livid I am (still).
February 21, 2008 at 3:21 pm
Michael
nice on Colin, I think i’ll go along now
March 4, 2008 at 12:37 pm
mandrew
RE: all that talk in The Wire about Autechre’s increasing “funkiness”: Not only does IO sound like a Wiley track remixed by, well, Autechre I suppose, but WNSN bears more than a passing resemblance to some kind of deconstructed “A Day In The Life Of Benjamin Andre”, the closing track from Outkast’s The Love Below. Unless it’s just me.
March 4, 2008 at 6:59 pm
mapsadaisical
Anyone read this?
http://music.guardian.co.uk/live/story/0,,2261916,00.html
“their biggest prank is to mess with people’s heads, as their own music is scrambled and mashed-up beyond recognition. Vaguely danceable rhythms are suddenly destroyed by sonic screeches…one poor man is so disoriented that he walks into a door”. 1/5
One out of five? Seriously? That sounds pretty good to me. Especially the bit about the door.
March 6, 2008 at 10:44 pm
DEZ
Always thought Simpson was a pillock and that confirms it. One star dropped for it being cold, one star dropped for it being dark, one star dropped for having fans who read books…
Having said that, everything he hated about it sounds ace to me!
March 6, 2008 at 10:52 pm
mapsadaisical
I agree, really made me wish I had gone to the London show - school night or not.