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(Note: this review ends with a poor quality and highly unoriginal pun. Readers of a sensitive disposition should avert their eyes now, go stare at some kittens or something). He is everywhere these days, James Blackshaw. I have even started seeing him at gigs, and when someone new by the name of Blackshaw started at work recently, I actually felt compelled to check that we hadn’t employed a guitarist to liven the place up a bit (well, my suggestion of a random employee sacrifice on the altar of the photocopier was vetoed, so I assumed they must have had a better idea). In the wake of last year’s excellent The Cloud of Unknowing album come these two unmissable new releases. Read the rest of this entry »


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