Homage To The Sine WaveSine Wave 2

I haven’t bought a record as heavy as this before – in every sense of the word. The vinyl itself weighs two hundred grams. Two hundred grams! Not for Taiga, the feeble, floppy, flimsy 180g pressing. “We’d be as well press it on a slice of processed cheese”, they would say, “carving the groove with a feather”. That wouldn’t do at all. Instead this sequel to Homage To The Square Wave comes carved out of pure concrete, the groove made by the finest of fine diamond-tipped drills.

Not only that, but they got masterer-of-all-things-heavy James Plotkin to do the drilling, showing their commitment to making this sound impressive. “VOLUME REVEALS DETAIL” the cover proclaims, in big shouty caps obviously, and this is no idle statement. In fact, every time I play this record I have to coat the walls in egg-boxes. And give my neighbours 1 week’s written notice. And glue my eyes into their sockets. For this behemoth of a record could rattle the bollocks off a sphinx, but so impressed would it be with their commitment to audio fidelity that it wouldn’t actually mind – peering deep into their analogue drones reveals those mandelbrot-like levels of detail, those analogue serrations, overlaps and juxtapositions. At an almost imperceptible pace, Homage To The Sine Wave pulses, bleeps, rumbles, roars and thumps itself into a locked groove of pure tone and immense power.

Eleh formed to pay tribute to minimalist masters such as Eliane Radigue and Pauline Oliveros but comparisons to sine wave-fixated Touch artists like CM Von Hausswolff and Jacob Kirkegaard, avid explorers of the area between differing tones, are perhaps more relevant. For it is Touch who have snapped them up for their next release.

There aren’t enough of these to go around. If Taiga are out, try Important. Or Second Layer. Or Squidco. Or Insound. Don’t stop until you get one: not only is it the heaviest, but Homage To The Sine Wave is one of the most compelling records I’ve heard all year.

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